Imagine a community where its rich history is not only remembered but actively celebrated through striking public art. Now, picture this happening in Catterick Garrison, a place with a storied past rooted in both military service and the development of railway connections. But here's where it gets controversial—plans are now underway to install two large sculptures that aim to pay homage to these very aspects of the town’s identity. These artworks are part of an ambitious, multimillion-pound redevelopment effort designed to breathe new life into the town center.
The first of these impressive installations consists of a series of sculptural totems strategically placed at important locations within Coronation Park. The second is a circular steel sculpture destined for the new town square, envisioned as a focal point for community gatherings and cultural expression.
Councillor Simon Myers, who oversees arts and culture for North Yorkshire Council, emphasizes that these artworks will serve as meaningful landmarks. He states, 'These pieces will act as visual anchors for not only residents and visitors but also for the town’s armed forces, as part of this significant redevelopment project.' Moreover, he believes these sculptures will inspire pride, spark conversations, and ensure that Catterick Garrison’s remarkable history remains alive for generations to come.
The totems, designed by artist Katayoun Dowlatshahi, are meant to symbolize various elements of the town's past, while the circular sculpture, crafted by sculptor Steve Anwar, also known as Sapien, aims to create a modern, reflective element for the community.
An exciting aspect of this project is the collaborative effort that brought these ideas to life. Local students from Colburn School, veterans’ groups, and residents actively contributed their voices, helping to shape the artworks' design and meaning. This community involvement ensures that the sculptures are not just art installations but are deeply connected to those who call Catterick Garrison home.
Decisions regarding planning permissions for these sculptures are anticipated within a few months. Meanwhile, the town is already progressing with a major £21 million development spanning the town center. This includes the creation of a new civic square designed to host events and a community hub to foster local engagement.
Projected to be completed by the end of 2026, this large-scale redevelopment aims to rejuvenate the heart of Catterick Garrison, blending its historical roots with fresh, community-focused spaces.
And this is the part most people miss—public art has the power to transform places, but it also sparks debate. Do these sculptures truly capture the spirit of Catterick Garrison, or are they merely symbolic gestures? Will these additions deepen community pride or spark disagreements about what history should be celebrated? We want to hear your thoughts—do you agree with this approach, or do you see room for a different kind of storytelling in public spaces? Share your opinions in the comments, and let's discuss whether art can really preserve history or if it sometimes risks oversimplifying complex stories.
